Log in or Sign up. The Gear Page. During the first week of Augustwe'll be upgrading the software TGP runs on to the currently available up-to-date version. The software version is a significant upgrade, so there will be some downtime as we do the work under the hood.

We've got a team of professionals, including the software development company assisting the process. We've conducted substantial tests using backups of the current forum to ensure a smooth and successful upgrade.

We've gone to great lengths on the design of the theme aka 'skin' or look and feel of the forum to offer a better user experience for members and visitors. The default theme will be new, yet clearly influenced by the classic TGP look. We will have a dark version of that also easily selectable. Also available will be a "Classic TGP" theme that closely matches the current theme you are accustomed to using with the current software.

There is also an easy width adjustment to make it set width or expand to your window width for each theme. As we get closer, I'll update everyone so hopefully, no one will be caught by surprise. Best Jimmy Page fuzz pedal? May 3, 1. Messages: 5. I do however, have a Les Paul and Telecaster to get the tone for the songs. I have looked and listened to multiple pedals and have brought the list down to these 5.

The main one I'm considering is the Catalinbread Dirty Little Secret, mainly cause what I have listened to sounds good and it is specifically stated to help get Marshall overdrive sounds Something that would especially help me get the tone on my Vox. The runner-up is a Vox Tonebender, something that Page may have used, but I'm not sure. I have seen some places state that Page didn't use the Vox and some that say they did. It would greatly help if you could tell me which of these 5 pedals would be best for what I am looking for, or if you have a better pedal I could look into.

Thanks in advance! JohnnyMay 3, May 3, 2. Messages: I think out of those the Dirty Little Secret would fit the bill. Personally I think getting a vintage fuzz he may or may have not have used on this or that isn't always best the way to go and can end up limiting what you could achieve through something more versatile like the DLS. The pedal alone is never the be all and end all. It does the MK. May 3, 3. Telecaster - Tonebender - Supro amp is the 1st album. He did use AC30's frequently after that along with Marshalls, typically using the amp drive.

But the 1st album is fuzz. There's a lot of ToneBender types out there. I have an early Fulltone Soul Bender but have never actually used it. It's a big, aggressive tone. DazzaMay 3, The first or so Tone Bender MkI fuzzes were housed in wooden enclosures, after which they were produced in black folded-steel boxes with a gold top panel. Photo courtesy of Stuart Castledine. Initially conceived as the British answer to the American-made Maestro Fuzz-Tone built by a subsidiary of Gibsonthe Tone Bender—and its somewhat confusing iterative evolutions over the years—went on to carve out its own definitive place in history.

Its rank in the sonic pantheon in the sky is assured by its use on seminal recordings by a plethora of legendary guitarists from the British scene in the mid-to-late s. To be sure, the Tone Bender has a convoluted, murky history.

But while it went through many changes during its time, each version had something to offer to eager guitarists who were ready to kneel at its altar of fuzzy brilliance. Heavily inspired by the Gibson-built Maestro FZ-1 Fuzz-Tone, which was hard to obtain in England at the time, Hurst produced a 3-transistor circuit after being asked by session musician Vic Flick for a pedal that would emulate the sound of the FZ-1 but with more sustain.

Flick, an in-demand session player of the era, is now most famous for playing the iconic James Bond riff. A critical Maestro design element that Hurst changed was the use of 9V power. Although this is now standard in virtually all guitar pedals, the few pedals that existed in were powered by 1.

tone bender jimmy page

Hurst built approximately MkI Tone Benders in the wooden enclosures before changing to a wedge-shaped, folded-steel enclosure with a gold-and-black finish.

Around the time of the introduction of these steel enclosures in mid-to-latethe pedal began being marketed under the Sola Sound name—a brand created by brothers Joe and Larry Macari in late The MkI. Here we have a specimen of the latter in a sandcast-aluminum enclosure.

British Pedal Company Vintage Series MKI.5 Tone Bender Demo

The Tone Bender MkI. Reportedly looking for a cheaper, easier-to-produce design, Sola Sound equipped the Mk1. In addition to the Sola Sound version, the MkI. The Vox is perhaps the most well known version of the I. Interesting side note: The MkI. Tonally speaking, the MkI. Christian Livingstone is a musician and electronics tinkerer who's obsessed with guitar effects. Guitars Bass Amps Pedals Players. Photo courtesy of Stuart Castledine Initially conceived as the British answer to the American-made Maestro Fuzz-Tone built by a subsidiary of Gibsonthe Tone Bender—and its somewhat confusing iterative evolutions over the years—went on to carve out its own definitive place in history.

The popularity of the U. Photo courtesy of Tim's Gear Depot. Previous 1 2 3 4 Next. More videos from Premier Guitar. Get our email newsletter! Rig Rundowns Most Recent. Rig Rundown: Butch Walker. Rig Rundown: Jim Ward. Your Pedalboards ! On PremierGuitar.Log in or Sign up. The Gear Page. During the first week of Augustwe'll be upgrading the software TGP runs on to the currently available up-to-date version.

The software version is a significant upgrade, so there will be some downtime as we do the work under the hood. We've got a team of professionals, including the software development company assisting the process.

We've conducted substantial tests using backups of the current forum to ensure a smooth and successful upgrade. We've gone to great lengths on the design of the theme aka 'skin' or look and feel of the forum to offer a better user experience for members and visitors.

Correct Zepp/Page Tonebender ? Which one ?

The default theme will be new, yet clearly influenced by the classic TGP look. We will have a dark version of that also easily selectable. Also available will be a "Classic TGP" theme that closely matches the current theme you are accustomed to using with the current software. There is also an easy width adjustment to make it set width or expand to your window width for each theme. As we get closer, I'll update everyone so hopefully, no one will be caught by surprise.

Which one? Apr 25, Messages: 1, Apr 26, Messages: Apr 27, Apr 28, Bump for jimmys tonebender. I just gotta see this! Sep 19, Messages: 5. TuriguilianoSep 19, Sep 20, Check this out.

BurgsSep 20, Messages: 2, You are the man! Please give us more details on the guitar and how you acquired it!

tone bender jimmy page

Thanks Joe. Sep 21, Mesure d'audience ROI statistique webanalytics par. A Wild Ride This is probably one of the most legendary fuzz pedals that has ever existed, and for good reason too! This thing can produce some completely saturated fuzz that is capable of slipping into feedback easily if you crank it up loud enough. I just can't say enough about this pedal. This is, without a doubt, my all-time favorite fuzzer. It's a genuine kick in the teeth that will have a permanent spot in my setup.

Supposedely, this is the fuzz pedal that Jimmy Page used on the first couple of Led Zeppelin albums, which makes it even more famous.

This capacitor helps to get rid of some of the intense treble that this circuit has without it. I would recommend that you replace the 8K2 resistor on the collector of Q3 with a 20K trimpot which will allow you to adjust Q3s collector voltage to I would also add a pulldown resistor to the input of the circuit and a reverse polarity protection diode to help protect those expensive Germanium transistors.

Another nice tweak is to replace the ohm resistor in the original circuit with a 1K or 1K2, which will boost the available output quite a bit. The original OC81D transistors will be very hard to find The gains don't have to be exact, but it helps for them to be close to these values. The sound of the pedals should be nearly the same, although the Supa Fuzz will probably be bassier since the input capacitor is quite a bit larger, especially with that 0.

It was the same basic circuit with only a few minor component value differences. Check out the schematic of the Vox MKII below, which was emailed to me by Peter, who traced the schematic from an original he owned. The pedal wasn't equipped with the original three-transistor MKII circuit, but rather a modified version of the Fuzz Face. If you take a look at the schematic of the MKII reissue pedal below, you'll see that there have been a couple of changes and add-ons to the Fuzz Face circuit.

tone bender jimmy page

The two most notable additions are the pF and 10pF capacitors that are across the collector-base of Q1 and Q2 respectively. These two added capacitors help to smooth out the sound of the pedal, as well as to remove some high-end from the circuit. The input capacitor has been increased from 2. These two changes will certainly increase the bass response of the circuitLog in or Sign up.

Fifty Years of Filth: The Story of the Mighty Tone Bender Fuzz

The Gear Page. During the first week of Augustwe'll be upgrading the software TGP runs on to the currently available up-to-date version. The software version is a significant upgrade, so there will be some downtime as we do the work under the hood. We've got a team of professionals, including the software development company assisting the process.

We've conducted substantial tests using backups of the current forum to ensure a smooth and successful upgrade. We've gone to great lengths on the design of the theme aka 'skin' or look and feel of the forum to offer a better user experience for members and visitors.

The default theme will be new, yet clearly influenced by the classic TGP look. We will have a dark version of that also easily selectable. Also available will be a "Classic TGP" theme that closely matches the current theme you are accustomed to using with the current software.

There is also an easy width adjustment to make it set width or expand to your window width for each theme. As we get closer, I'll update everyone so hopefully, no one will be caught by surprise. Sep 20, 1. Messages: 1, I'm not sure exactly where this thread belongs so I'm putting it here. What's the best fuzz pedal for getting some good Jimmy Page tones? I feel like his tone was way more Fuzz than OD.

Any help? Sep 20, 2. Messages: 5, Honeybee overdrive will also get there for od tones. Sep 20, 3. Also, I have a RAT I haven't used it in a while! Sep 20, 4. Messages: Sep 20, 5. Messages: 3, Tonebender Starts with Heartbreaker, but can do pretty much everything Zep, which is what Lumpy specializes in. Oh and its for sale BTW. Sep 20, 6. Messages: 23, PolynitroSep 20, Sep 20, 7.So what kind of gear does Jimmy Page use? In this video, we're looking at some basic combinations of modern pedals and settings you can use to achieve Page's tones.

Page predominantly plays Les Paul Standards, including his No. InPage stripped off the finish and went a little crazy with some day-glo paints.

Psychedelic drugs may have been involved in the decision and execution. Then he tossed the black pickguard and replaced it with a clear one backed with some reflective materials.

After a second and ill-fated paint job, The Dragon was parted out, Page explained in a interview with Guitar World. I salvaged the neck and put it on my brown Tele string bender that I used in The Firm.

Over the decades, Page has had and played more guitars than you have teeth in your head, including:. The gigantic sound of Led Zeppelin is instantly associated with huge walls of British amps, mostly Marshalls, a sound Page frequently created in the studio with small American amps that he pushed.

A Supro Thunderbolt, with a single inch Jensen speaker and a pair of 6L6GC tubes in the output stage, is a likely suspect, he added. Others have speculated that it was a Supro TN Coronado that was heavily modified, with a single 12" speaker replacing the stock 2x10" speakers, a configuration that the newly relaunched Supro brand now offers in its new T Black Magick amp.

While the combos listed above all will help you get a little Page-y, a head and cab obviously will push more air, maintain higher volumes, support heavier riffs and create a more Zeppelin-esque sized sound.

With the EQ balanced between the lows, mids and highs — start at the 12 o'clock position and cut or boost from there. With some overdrive from the amp, then look to your pedals for additional overdrive, distortion and boost. As with anything, be sure to use any effects or tone shaping in moderation. It's easy to get carried away with some of these effects, especially when used in combinations. You will want these tones and effects to come through prominently, but you don't want to lose yourself in a wash of overdrive and wah pedals.

While Page has been relatively consistent in terms of his guitars, amps and pedal selections, the single most important component of his sound throughout his career has been his hands. Reverb Articles. Supro TN Coronado. Oops, looks like you forgot something. Please check the fields highlighted in red.Beginner Guitar HQ. Perhaps one of, if not the, most iconic Guitar God of all time is the guitarist for the band Led Zeppelin, Jimmy Page.

Jimmy Page has had a long and diverse career in music, one that spans decades. From his studio work as a younger man, to his role in the super group Yardbirds and all the way up to his iconic membership of the epitome of classic rock, Led Zeppelin. One can be intimidated when looking at the price tag of the various vintage Marshall Plexi, Les Paul Customs and Supro Tube amps, but it is my belief that though the versatility of modern gear, one can not only imitate but emulate the classic tone of Jimmy Page.

Below you will find a guide to just that, recreate the classic tone without the vintage gear or the vintage price tag. Come across any photo of Jimmy Page performing and you are likely to find that he has his signature Gibson Les Paul slung low over his shoulder. And while the Les Paul is a key part in understanding how to play like Jimmy Page, it is important to highlight the other key aspects of his sound.

In his earlier days before he acquired his iconic Les Paul, Jimmy Page wrote the entirety of the first Led Zeppelin album, and many tracks on subsequent albums, with a Fender Telecaster. The Telecaster was also used for recording most of the solos on Led Zeppelin albums. In fact, perhaps the most iconic guitar solo of all time was recorded on a Telecaster, Stairway To Heaven.

So it is clear, when learning how to sound like Jimmy Page a Telecaster must be added to a musicians arsenal. The Les Paul on the other hand, was not used as heavily in the studio as the Telecaster until the 3rd Led Zeppelin album, as a result, the more full sound of the later Led Zeppelin albums, is the sound of a set of humbuckers.

This is where the player has more options when it comes to determining how to play like Jimmy Page, and in their choice in guitar, as most typical, passive humbuckers can be made to sound very similar to the classic Led Zeppelin tone. Breaking down how to play like Jimmy Pages, the guitar gods amp tone might initially feel unattainable, but while his inventory of amps through the years is expansive, his tone was relatively simple throughout.

Jimmy Page danced around a wide variety of amp brands and models throughout his tenure as Led Zeppelins guitarist, from Supros to Oranges, Rickenbacker amps to his classic Marshall stacks. What has remained throughout however, is his tonal profile, which has always a perfect dance between raucous and smooth.

How to sound like Led Zeppelin's Jimmy Page

Much of the overdrive that Jimmy Page used came not from any pedals but primarily from the amps themselves. Any amplifiers that can mimic or channel a good over driven tube sound like that of a Marshall should work fine. Warm sounding Marshall amps and deep Gibson humbuckers meld perfectly to create the classic Led Zeppelin tone. Jimmy Page has been iconic for his Gibson Les Pauls and his Marshall stacks, what is rarely mentioned are his choices in pedals and while Page was never a massive student of effect pedals, it is important to understand how much of his sound came from little boxes on the floor.

Unfortunately, Tone Bender fuzzes are now very rare and as a result are very expensive. Luckily for the player, there are a wide variety of Fuzz pedals available that can mimic that classic 70s fuzz tone.

tone bender jimmy page

Page also used a Wah Wah pedal often throughout his career.


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